Oil Paintings
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Aelbert Cuyp 1620-1691
Dutch
Aelbert Cuyp Locations
Painter and draughtsman, son of Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible. He became popular in the late 18th century, especially in England.
Aelbert Cuyp Evening Landscape with Horsemen and Shepherds Date between 1655(1655) and 1660(1660)
Medium English: Oil on canvas
cjr
Painting ID:: 84331
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Aelbert Cuyp Flock of sheep at pasture 1645-55
Medium {Oil on panel
Dimensions 49,3 x 74,3 cm
cyf
Painting ID:: 85796
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Aelbert Cuyp Fishing boats by moonlight. Date c. 1650(1650)
Medium Oil on oak panel
Dimensions 76.5 x 106.5 cm (30.1 x 41.9 in)
cjr
Painting ID:: 88838
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Aelbert Cuyp View of Dordrecht 1650
Medium English: oil on canvas
cyf
Painting ID:: 89827
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Aelbert Cuyp Meadow with Cows and Herdsmen between 1641(1641) and 1643(1643)
Medium oil on oak
cyf
Painting ID:: 89984
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Aelbert Cuyp Fishing boats by moonlight. 1650(1650)
Medium oil on oak panel
Dimensions 76.5 x 106.5 cm (30.1 x 41.9 in)
cyf
Painting ID:: 92717
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Aelbert Cuyp Panoramic Landscape with Shepherds 1640-45
Medium English: Oil on panel
Dimensions 30 1/4 x 42 1/8 in. (76.8 x 107 cm)
cjr
Painting ID:: 92851
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Aelbert Cuyp De Melkster 1655(1655)
Medium oil on canvas
Dimensions Height: 135 cm (53.1 in). Width: 172.5 cm (67.9 in).
cjr
Painting ID:: 92922
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Aelbert Cuyp Sunset near Dordrecht. between 1640(1640) and 1650(1650)
Medium oil on panel
Dimensions Height: 48.5 cm (19.1 in). Width: 73.5 cm (28.9 in).
cjr
1620-1691
Dutch
Aelbert Cuyp Locations
Painter and draughtsman, son of Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible. He became popular in the late 18th century, especially in England.
